Published by Viking Compass. About this Item: Viking Compass. Writing inside. Seller Inventory L15D Condition: Very Good. Seller Inventory H15H Seller Inventory F05D Slightly dampstained. Seller Inventory Q10B Seller Inventory M09H Published by Vintage Classics. About this Item: Vintage Classics. Seller Inventory K05K Seller Inventory P02L Condition: Fair. Acceptable condition.
Seller Inventory I32OS A copy that has been read, but remains in excellent condition. Pages are intact and are not marred by notes or highlighting, but may contain a neat previous owner name. The spine remains undamaged. Seller Inventory GI4N Published by Penguin Books Ltd. About this Item: Penguin Books Ltd. A readable copy. All pages are intact, and the cover is intact. Pages can include considerable notes-in pen or highlighter-but the notes cannot obscure the text.
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Seller Inventory GI5N A copy that has been read, but remains in clean condition. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. Seller Inventory GI3N Published by Vintage Classics About this Item: Vintage Classics, Condition: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine. Seller Inventory CHL Condition: Used; Good.
This book is in good condition but will show signs of previous ownership. Damaged cover.
The cover of is slightly damaged for instance a torn or bent corner. Aged book. Tanned pages and age spots, however, this will not interfere with reading. Grubby book may have mild dirt or some staining, mostly on the edges of pages. Published by The Viking Press. About this Item: The Viking Press.
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Rose, a waitress at a popular restaurant, even younger than Pinkie, may be the key witness to the murder, and both Ida and Pinkie are fighting to save her soul. Her portrait is a fine example of the magic of Greene's pen: She had an immense store of trivial memories and when she wasn't living in the future she was living in the past. As for the present — she got through that as quickly as she could, running away from things, running towards things, so that her voice was always a little breathless, her heart pounding at an escape or an expectation.
I don't want to spoil the plot developments, but there's romance blooming in the strangest of places, and at the most inopportune times. Can Pinkie be saved? Or will he drag Rose down to the Abyss with him? More than ever yet he had the sense that he was being driven further and deeper than he'd ever meant to go. A curious and cruel pleasure touched him — he didn't really care so very much, and all he had to do was to let himself easily go. He knew what the end might be — it didn't horrify him: it was easier than life. Many other writers are capable of catching the local flavor in snappy dialogue or clever similes.
There's a lot of that in "Brighton Rock" : 'milky' stand for 'yellow' or coward; a 'polony' is a gangster's 'moll', and so on. But few other writers can write inner torment like Greene, or can throw away a line of poetry like diamonds scattered upon the sand: The sun slid off the sea and like a cuttle fish shot into the sky the stain of agonies and endurances.
She circulated the dregs of the cheap port in her glass and remarked to no one in particular, 'It's a good life. Look at me. I've never changed. It's like those sticks of rock: bite all the way down, you'll still read Brighton. That's human nature.
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Richard Attenborough nails the role of Pinkie, but all the rest of the cast are incredible in their roles, and Greene himself worked on the screenplay. Jul 30, Kelly rated it really liked it Shelves: fiction , 20th-century-early-to-mid , owned , brit-lit , give-me-seven-years. I know the difference between Right and Wrong. They didn't teach you that at school.
Their taste was extinguished by stronger foods- Good and Evil. The woman could tell her nothing she didn't know about these- she knew by tests as clear as mathematics that Pinkie was evil- what did it matter in that case whether he was right or wrong? That's pretty much the book right there. This is a "I know one thing you don't. This is a fun pulp fiction novel, layered over with Graham Greene's usual Catholic obsessions.
He's always believed that Catholics experience the decisions of the world and the tawdry carnival of life represented in this by Brighton's seediest underworld in a fuller, more satisfying way than the rest of the world does.
George Orwell wrote that Greene "appears to share the idea, which has been floating around since Baudelaire, that there is something rather distingue about being damned. I think the argument is more that it is better to feel damned by everything you do, be obsessed with the feeling of sin, relish in it, need more of it, need more to rebel against, as Pinkie does, than to just feel tepidly, to accept everything as just "human nature," as Ida Arnold does, the mistress of temporal right and wrong.
Although it is easy to laugh at Pinkie's thrashing about, and exaggerated, inexperienced sense of sin, its also equally easy to sympathize with him and his compatriots and their miserable place at the bottom of the heap that they will never, ever escape. Good writing, by far the most readable, most widely accessible Graham Greene novel I have yet to read.
View all 11 comments. Graham Greene's "Brighton Rock" is classified as one of his entertainments as opposed to his more serious works. But make no mistake about it, "Brighton Rock" gives the reader plenty to ponder, if you consider it more than the thriller as many have treated it. Brighton Rock is that stick candy embedded with the letters "Brighton.
Although the book may bear the name of a popular confection, there's nothing sweet about the story Graham Greene's "Brighton Rock" is classified as one of his entertainments as opposed to his more serious works. Although the book may bear the name of a popular confection, there's nothing sweet about the story Greene tells. The racetrack and gambling gangs that operated prominently during the s and s are the villains of the piece here. An unlikely seventeen year old, Pinkie Brown, takes over leadership of the group, Kite having taken him under his wing in earlier days.
Too young to be diagnosed as an anti-social personality, if you want to apply the Diagnostic Services Manual in a correct manner, "Pinkie" certainly fits all the criteria. He sets out to avenge Kite's death and targets Charles Hale, a journalist responsible for a series of articles that exposed Kite's criminal activities. The action at Brighton begins with Charles Hale knowing he's going to die. He's spotted Pinkie and the crew. Hale's only chance is to latch on to someone as a witness in the hopes that Pinkie and the boys won't do him in with a witness present.
Hale's at Brighton as part of a newspaper circulation promotion. In addition to being a reporter, he's the paper's character Kolley Kibber. He's dispatched about the circulation area with a sheath of cards advertising the paper, distributing them through the area. Anyone finding one of the cards, presenting it to Kibber wins a cash prize from the paper.
Hale latches on to a larger than life good time girl named Ida Arnold, inviting her to dinner. But Ida insists on having a wash prior to going to dinner.